Z domoviny (From the Homeland), I. A Dur

Bedřich Smetana (1824-1884)

A lyrical and nationalistic work for violin and piano, this piece reflects Smetana’s deep affection for his Czech homeland. The soaring violin lines and vibrant piano accompaniment capture both the nostalgia and pride of Czech musical identity.

Cantate Domino - Psalm 98

Claudio Monteverdi (1567-1643)

One of Monteverdi’s joyful sacred motets, this work exemplifies the transition from Renaissance to Baroque styles. With lively rhythms and expressive counterpoint, it radiates a jubilant call to “sing to the Lord,” celebrating his innovative approach to text and music.

Cantate Domino in Bb - Psalm 96

Ko Matsushita (b. 1962)

A modern choral setting of the similar sacred text, this work combines shimmering harmonies and dynamic contrasts with contemporary rhythmic vitality. Matsushita’s interpretation bridges tradition and modernity, bringing a fresh perspective to timeless words of praise.

Sonata in C Major for Piano Four Hands, K. 521, I. Allegro

Wolfgang Amadeus Mozart (1756-1791)

Written in 1787, this sonata is among Mozart’s finest works for piano duet. Sparkling with charm and brilliance, it features playful dialogues between the two pianists, balanced lyricism, and the elegance of Classical form.

Harpsichord Concerto No. 5 in F minor, II. Largo

Johann Sebastian Bach (1685-1750)

The serene slow movement of this concerto highlights Bach’s mastery of expressive melody and harmonic depth. With its gentle, flowing lines, the Largo conveys a profound sense of intimacy and spiritual stillness. In this performance, the delicate tones of the angklung join the harpsichord, adding a distinctive color and cultural resonance to Bach’s timeless music.

Christ Lag in Todesbanden, BWV 4 (Selections: I, III, VI, VII)

Johann Sebastian Bach (1685-1750)

One of Bach’s earliest cantatas, based on Martin Luther’s Easter hymn, this work vividly portrays the triumph of Christ over death. From the solemn opening chorus to the vigorous duets and resounding final chorale, it blends theological depth with musical brilliance.

Every Time I Feel the Spirit (arr. W. L. Dawson)

Traditional Spiritual / Anton Armstrong (b. 1956)

A vibrant arrangement of the beloved African American spiritual, this piece pulses with rhythmic energy and heartfelt expression. Dawson’s arrangement, performed here in the version popularized by Anton Armstrong, captures both the joy and fervor of the spiritual tradition.

Medley of Indonesian Folk Songs (arr. Calvin Abdiel)

Traditional / arr. Calvin Abdiel (b. 1999)

A colorful celebration of Indonesia’s musical heritage, this medley blends familiar folk melodies with inventive textures for choir, angklung, and violin. The arrangement highlights the warmth, rhythm, and cultural richness of Indonesian traditions in a fresh, contemporary setting.